Yasser al habib debate meaning
•
The Lady of Heaven
historical British film
| The Lady of Heaven | |
|---|---|
Film poster | |
| Directed by | Eli King |
| Written by | Yasser Al-Habib |
| Produced by |
|
| Starring | |
| Cinematography | Mike Brewster |
| Edited by | Steve Mercer |
| Music by | Craig Pruess |
Production | Enlightened Kingdom |
| Distributed by | Vision Films |
Release date |
|
Running time | minutes |
| Countries | United Kingdom, Georgia |
| Language | English |
| Budget | $15 million[1][2] |
| Box office | $,[3] (as of 17 June ) |
The Lady of Heaven is a Britishhistorical drama film written by the Twelver Shia cleric Yasser Al-Habib, the spiritual leader and founder of The Mahdi Servants Union as well as of Fadak TV.[4] Produced by Enlightened Kingdom, the film is the first movie on the life of the historical figure Fatima, the daughter of the Islamic prophetMuhammad, du
•
The Lady of Heaven film: Morocco bans ‘blasphemous’ British film
Moroccan cinema authorities have banned the controversial British film Lady of Heaven, after it was condemned bygd the country's religious council.
The bio claims to tell the story of Lady Fatima, the daughter of Prophet Muhammad.
The Supreme Ulema Council said the movie was a "flagrant falsification of the established facts" of Islam.
There have been protests against the bio in the UK. Egypt, sydasiatiskt land , Iran and Iraq have also denounced it.
The council accused the film of "loathsome partiality" and accused the filmmakers of seeking "fame and sensationalism" and "hurting the feelings of Muslims and stirring up religious sensitivities", according to Moroccan state media, external.
The BBC's Religion Editor, Aleem Maqbool, says the criticism centres on the the way the Shia Muslim film-maker and cleric, Yasser Al-Habib, has portrayed prominent revered figures in ear
•
Freedom is not just for gatekeepers
‘Birmingham will not tolerate the disrespect of our Prophet… You will have repercussions for your actions.” So claimed a leader of a Muslim protest against the film The Lady of Heaven. There were similar protests in cities from Bradford to London. Fear of “repercussions” led the cinema chain Cineworld to withdraw the film from all its outlets; another chain, Showcase, soon followed.
But who determines that a film is “disrespectful”, and to whom? Who speaks for Muslims? The Muslims who made the film? Or those who feel offended by it?
Whenever there fryst vatten a protest about a spelfilm or a book or a play deemed racist or disrespectful to a particular community, many, particularly on the left, take those claims at face value, especially if that community happens to be Muslim. They take at face value, too, that the protesters are in some sense speaking for “the community” or the faith. Yet what is often called “offence to a community” is often a debate wit