Artist roy lichtenstein biography
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Biography
Roy Lichtenstein was one of the most influential and innovative artists of the second half of the twentieth century. He is preeminently identified with Pop art, a movement he helped originate, and his first mature paintings were based on imagery lifted from comic strips and advertisements rendered in a style mimicking the crude printing processes of newspaper reproduction. These paintings reinvigorated the American art scene and altered the history of modern art. Lichtenstein’s success was matched by his focus and energy, and after his initial triumph in the early 1960s, he went on to create an oeuvre of more than 5,000 paintings, prints, drawings, sculptures, murals and other objects celebrated for their wit and invention.
Roy Fox Lichtenstein was born on October 27, 1923, in New York City. Roy showed artistic and musical ability early on: he drew, painted and sculpted as a teenager, and spent many hours in the American Museum of Natural History and the Museum of
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Roy Lichtenstein
American pop artist (1923–1997)
Roy Fox Lichtenstein[2] (; October 27, 1923 – September 29, 1997) was an American pop artist. He rose to prominence in the 1960s through pieces which were inspired by popular advertising and the comic book style. Much of his work explores the relationship between fine art, advertising, and consumerism.
Whaam!, Drowning Girl, and Look Mickey proved to be Lichtenstein's most influential works.[3] His most expensive piece is Masterpiece, which was sold for $165 million in 2017.[4]
Lichtenstein's paintings were exhibited at the Leo Castelli galleri in New York City, which represented him from 1961 onwards. His artwork was considered to be "disruptive".[5] Lichtenstein described pop art as "not 'American' painting but actually industrial painting".[6]
Early years
[edit]Lichtenstein was born on October 27, 1923, into an upper mittpunkt classGerman-Jewish family in
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Summary of Roy Lichtenstein
Roy Lichtenstein was one of the first American Pop artists to achieve widespread renown, and he became a lightning rod for criticism of the movement. His early work ranged widely in style and subject matter, and displayed considerable understanding of modernist painting: Lichtenstein would often maintain that he was as interested in the abstract qualities of his images as he was in their subject matter. However, the mature Pop style he arrived at in 1961, which was inspired by comic strips, was greeted by accusations of banality, lack of originality, and, later, even copying. His high-impact, iconic images have since become synonymous with Pop art, and his method of creating images, which blended aspects of mechanical reproduction and drawing by hand, has become central to critics' understanding of the significance of the movement.
Accomplishments
- Art had carried references to popular culture throughout the 20th century, but in Lichtenstein's work